12-19世纪西方经典美术（建筑\雕塑\绘画）博览八十辑 - 1sacri02下载
- 来源：
- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 1sacri02.jpg
- 原图尺寸：
- 456px*838px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
DONATELLO (b. ca. 1386, Firenze, d. 1466, Firenze) Door with the representation of Martyrs 1440-43 Bronze Old Sacristy, Church of San Lorenzo, Florence The culminating point of the conception of decorating the Old Sacristy was reached in the last work Donatello executed for the sacristy, the two bronze doors, whose motivating inspiration is so different from that of Ghiberti, then working on his second Baptistery door, the Door of Paradise. Forty Apostles and Doctors of the Church are spread over the twenty panels. They meet, they engage in discussion, and in the heat of their arguments they appear to detain and pursue one another. Every scene is animated by an acute dynamic tension, and for the first time in the Renaissance, space is shown as infinite. In this way, Donatello laid the foundations of modern impressionistic sculpture, but he also broke dramatically with the aesthetic canons of Brunelleschi, so that to the great architect and the intellectual milieu of which he was the leader, such works seemed little less than a provocation. The recent restoration of 1984-86 has revealed the close relationship between decoration and architecture, both of which were incorporated in the original plan. --- Keywords: -------------- Author: DONATELLO Title: Door with the representation of Martyrs Time-line: 1401-1450 School: Italian Form: sculpture Type: religious
DONATELLO (b. ca. 1386, Firenze, d. 1466, Firenze) Door with the representation of Martyrs 1440-43 Bronze Old Sacristy, Church of San Lorenzo, Florence The culminating point of the conception of decorating the Old Sacristy was reached in the last work Donatello executed for the sacristy, the two bronze doors, whose motivating inspiration is so different from that of Ghiberti, then working on his second Baptistery door, the Door of Paradise. Forty Apostles and Doctors of the Church are spread over the twenty panels. They meet, they engage in discussion, and in the heat of their arguments they appear to detain and pursue one another. Every scene is animated by an acute dynamic tension, and for the first time in the Renaissance, space is shown as infinite. In this way, Donatello laid the foundations of modern impressionistic sculpture, but he also broke dramatically with the aesthetic canons of Brunelleschi, so that to the great architect and the intellectual milieu of which he was the leader, such works seemed little less than a provocation. The recent restoration of 1984-86 has revealed the close relationship between decoration and architecture, both of which were incorporated in the original plan. --- Keywords: -------------- Author: DONATELLO Title: Door with the representation of Martyrs Time-line: 1401-1450 School: Italian Form: sculpture Type: religious
| 返回索引页面 | [<< 第一页] | [<上一页] | 页 | [下一页>] | [最后页 >>] |
发布商链接
矢量图免费下载
本专辑(Fine_Art_080)像素模板包括：
- 所有压缩文件的解压密码(password)都是 tucoo.com
- 矢量文件格式包括了WMF、AI、EPS，用Illustrator打开测试无误。
- 所有素材资源均免费提供，但请不要盗链。
- 图片或者链接有错误，请报告：gogocat@21cn.com
- 需要壁纸资源请访问：wallcoo.com
- 如果觉得我们的设计资源有用，请推荐给朋友，谢谢！
){kind=link}