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12-19世纪西方经典美术(建筑\雕塑\绘画)博览八十二 - 1_ecce_h下载
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文件名:
1_ecce_h.jpg
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477px*844px
时间:
2006年7月14日0:00
12-19世纪西方经典美术(建筑\雕塑\绘画)博览八十二 - 1_ecce_h.jpg
作者和作品详细介绍(英文):
FERN罭DEZ, Gregorio (b. ca. 1576, d. 1636, Valladolid) Ecce Homo - Polychrome wood Diocesan Museum, Valladolid During the 17th century, the great centers of Spanish sculpture were Valladolid, Madrid, Granada, and Seville. These schools may be distinguished by the greater pathos of the Castilian images, as compared with the ideal beauty sought by the sculptors of Andalusia. The school of Valladolid began with Gregorio Fern醤dez, whose style owes less to Italy than it does to the North. His first known work is the recumbent Christ of the Capuchins (1605), commissioned by Philip III and now in El Pardo. Sober, refined, profoundly sensitive in his modeling, and restrained in his use of drama, Gregorio Fern醤dez turned away from idealist aesthetics to portray the emotions of real life, suffering, agony, and death. He also carved retables, and his studio produced effigies for the Holy Week processions in Valladolid. --- Keywords: -------------- Author: FERN罭DEZ, Gregorio Title: Ecce Homo Time-line: 1601-1650 School: Spanish Form: sculpture Type: religious
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