12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百二十二 - 06ingres下载
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- 类型：
- 位图
- 文件名：
- 06ingres.jpg
- 原图尺寸：
- 1102px*850px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
INGRES, Jean-Auguste-Dominique (b. 1780, Montauban, d. 1867, Paris) R黡iger Freeing Angelica 1819 Oil on canvas, 147 x 190 cm Mus閑 du Louvre, Paris Ingres developed a highly sensitive aestheticism, particularly in depicting the beautiful naked body. He excelled his teachers in this, and it was here that he sought an ideal of form that goes to the limits of what can be done in painting. It is hard to find an equal anywhere in the history of art turned to us by The Grand Odalisque or the body of the young girl in R黡iger Freeing Angelica, modeled in soft lines. The position of the young Angelica, with her head tilted back, is highly exaggerated by modern standards, but the exposed and defenseless neck and the eyes cast up to suggest that she has fainted are intended to signalise pure feminine submission. In order to portray this unconditional surrender to her rescuer, Ingres has almost made her look as if she has a goitre. But this calculated submission to the aesthetic of the nude makes it no less erotic precisely because the very evidence of a weak spot in her beauty makes her seem less remote from the viewer. --- Keywords: -------------- Author: INGRES, Jean-Auguste-Dominique Title: R黡iger Freeing Angelica Form: painting Time-line: 1801-1850 School: French Type: historical
INGRES, Jean-Auguste-Dominique (b. 1780, Montauban, d. 1867, Paris) R黡iger Freeing Angelica 1819 Oil on canvas, 147 x 190 cm Mus閑 du Louvre, Paris Ingres developed a highly sensitive aestheticism, particularly in depicting the beautiful naked body. He excelled his teachers in this, and it was here that he sought an ideal of form that goes to the limits of what can be done in painting. It is hard to find an equal anywhere in the history of art turned to us by The Grand Odalisque or the body of the young girl in R黡iger Freeing Angelica, modeled in soft lines. The position of the young Angelica, with her head tilted back, is highly exaggerated by modern standards, but the exposed and defenseless neck and the eyes cast up to suggest that she has fainted are intended to signalise pure feminine submission. In order to portray this unconditional surrender to her rescuer, Ingres has almost made her look as if she has a goitre. But this calculated submission to the aesthetic of the nude makes it no less erotic precisely because the very evidence of a weak spot in her beauty makes her seem less remote from the viewer. --- Keywords: -------------- Author: INGRES, Jean-Auguste-Dominique Title: R黡iger Freeing Angelica Form: painting Time-line: 1801-1850 School: French Type: historical
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