12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十二 - 53mercy下载
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- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 53mercy.jpg
- 原图尺寸：
- 627px*960px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
CARAVAGGIO (b. 1571, Caravaggio, d. 1610, Porto Ercole) The Seven Acts of Mercy 1607 Oil on canvas, 390 x 260 cm Church of Pio Monte della Misericordia, Naples From the fiefs of the Colonna family Caravaggio took refuge in Naples, in 1606. There he began to work again with his usual, astounding speed. Early in January 1607 he was paid for the immense altarpiece commissioned to him by the Pio Monte di Misericordia (where it may still be seen today). The painting shows the Seven Acts of Mercy. It is very complicated in its organization. Caravaggio actually had to add a series of figures (two angels and the Madonna and Child, the latter painted later) in the upper part of the painting, which make the composition of the picture the most complex, perhaps, in any of his works. Caravaggio did not paint exemplary episodes intended to stir the viewer to religious piety through the illustrative emphasis of gestures and feelings. Rather, he entrusted the educational effectiveness of his works to the evidence of things in themselves, in the conviction that nothing should be added above and beyond what is already contained in the intrinsic eloquence of the various poses. The seven acts of mercy represented on the painting are the following. On the right appear the (1) burial of the dead and the episode of the so-called Carita Romana (Cimon's daughter giving her father suck in prison), which contains at once the two charitable acts of (2) visiting prisoners and (3) feeding the hungry. (4) Dressing the naked appears in the foreground, symbolized by St. Martin and the beggar. Next to this scene, the host and St. James of Compostela allude to the (5) offering of hospitality to pilgrims. (6) Relieving the thirsty is represented by Samson drinking from the ox jaw. The youth on the ground behind the beggar of St. Martin may also represent the merciful gesture of (7) caring for the sick. We readily apprehend the artist's power of synthesis, which concentrates a conceptual content that is potentially quite dispersive, in the model behavior of a few figures. The large painting was widely copied and studied by seventeenth-century Neapolitan painters, who drew ideas and formal devices from it. --- Keywords: -------------- Author: CARAVAGGIO Title: The Seven Acts of Mercy Time-line: 1551-1600 School: Italian Form: painting Type: religious
CARAVAGGIO (b. 1571, Caravaggio, d. 1610, Porto Ercole) The Seven Acts of Mercy 1607 Oil on canvas, 390 x 260 cm Church of Pio Monte della Misericordia, Naples From the fiefs of the Colonna family Caravaggio took refuge in Naples, in 1606. There he began to work again with his usual, astounding speed. Early in January 1607 he was paid for the immense altarpiece commissioned to him by the Pio Monte di Misericordia (where it may still be seen today). The painting shows the Seven Acts of Mercy. It is very complicated in its organization. Caravaggio actually had to add a series of figures (two angels and the Madonna and Child, the latter painted later) in the upper part of the painting, which make the composition of the picture the most complex, perhaps, in any of his works. Caravaggio did not paint exemplary episodes intended to stir the viewer to religious piety through the illustrative emphasis of gestures and feelings. Rather, he entrusted the educational effectiveness of his works to the evidence of things in themselves, in the conviction that nothing should be added above and beyond what is already contained in the intrinsic eloquence of the various poses. The seven acts of mercy represented on the painting are the following. On the right appear the (1) burial of the dead and the episode of the so-called Carita Romana (Cimon's daughter giving her father suck in prison), which contains at once the two charitable acts of (2) visiting prisoners and (3) feeding the hungry. (4) Dressing the naked appears in the foreground, symbolized by St. Martin and the beggar. Next to this scene, the host and St. James of Compostela allude to the (5) offering of hospitality to pilgrims. (6) Relieving the thirsty is represented by Samson drinking from the ox jaw. The youth on the ground behind the beggar of St. Martin may also represent the merciful gesture of (7) caring for the sick. We readily apprehend the artist's power of synthesis, which concentrates a conceptual content that is potentially quite dispersive, in the model behavior of a few figures. The large painting was widely copied and studied by seventeenth-century Neapolitan painters, who drew ideas and formal devices from it. --- Keywords: -------------- Author: CARAVAGGIO Title: The Seven Acts of Mercy Time-line: 1551-1600 School: Italian Form: painting Type: religious
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