12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十二 - 60alof下载
- 来源：
- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 60alof.jpg
- 原图尺寸：
- 691px*1000px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
CARAVAGGIO (b. 1571, Caravaggio, d. 1610, Porto Ercole) Portrait of Alof de Wignacourt 1607-08 Oil on canvas, 195 x 134 cm Mus閑 du Louvre, Paris As Grand Master of the Knights of St John of Malta, Alof de Wignacourt was head of a military order and a sovereign state, and he commissioned this portrait and maybe the second which was probably the model for St Jerome. The page in charge of Wignacourt's plumed helmet and cloak stands a little awkwardly within the composition, and his lively features would make him an attractive subject of his own right. Caravaggio may have been attempting to rival the portraiture of Titian. Wignacourt is consciously dignified, relaxed and authoritative. His splendid black and gold Milanese armor glints in the light. Even if he was left-handed, the way he holds the baton, pointing upwards in his right hand and downwards in his left, is uncomfortable. As a reward for this painting Wignacourt gave the painter an honorary knighthood, but within three months the relationship had deteriorated and Caravaggio had fled in disgrace. --- Keywords: -------------- Author: CARAVAGGIO Title: Portrait of Alof de Wignacourt Time-line: 1551-1600 School: Italian Form: painting Type: portrait
CARAVAGGIO (b. 1571, Caravaggio, d. 1610, Porto Ercole) Portrait of Alof de Wignacourt 1607-08 Oil on canvas, 195 x 134 cm Mus閑 du Louvre, Paris As Grand Master of the Knights of St John of Malta, Alof de Wignacourt was head of a military order and a sovereign state, and he commissioned this portrait and maybe the second which was probably the model for St Jerome. The page in charge of Wignacourt's plumed helmet and cloak stands a little awkwardly within the composition, and his lively features would make him an attractive subject of his own right. Caravaggio may have been attempting to rival the portraiture of Titian. Wignacourt is consciously dignified, relaxed and authoritative. His splendid black and gold Milanese armor glints in the light. Even if he was left-handed, the way he holds the baton, pointing upwards in his right hand and downwards in his left, is uncomfortable. As a reward for this painting Wignacourt gave the painter an honorary knighthood, but within three months the relationship had deteriorated and Caravaggio had fled in disgrace. --- Keywords: -------------- Author: CARAVAGGIO Title: Portrait of Alof de Wignacourt Time-line: 1551-1600 School: Italian Form: painting Type: portrait
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