12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十三 - assumpti(3)下载
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- 位图
- 文件名：
- assumpti(3).jpg
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- 时间：
- 2006年7月14日0:00
.jpg "12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十三 - assumpti(3).jpg")
作者和作品详细介绍（英文）:
BERNINI, Pietro (b. 1562, Sesto Fiorentino, d. 1629, Roma) The Assumption 1607-10 Marble Santa Maria Maggiore, Rome This relief was commissioned for the sacristy of the Santa Maria Maggiore. Inspired by contemporary paintings of the subject (particularly by Ludovico Carracci), Pietro Bernini's relief illustrates his virtuoso marble-carving ability and his exploitation of pictorial affects, more skills that he passed on to his son, the young Gianlorenzo. At the same time the relief is rooted in an approach to relief sculpture which differs little from the famous scenes of the life of the Virgin by the fourteenth-century Florentine sculpture Andrea Orcagna. We find in this composition the sharp linear drapery style and the extreme tenseness of the figures that characterize Pietro's art, never entirely freed from the Mannerist limitations of his training. The work, however, is one of the earliest examples of the pictorial relief altarpieces that were to be popular during the 17th century. --- Keywords: -------------- Author: BERNINI, Pietro Title: The Assumption Time-line: 1551-1600 School: Italian Form: sculpture Type: religious
BERNINI, Pietro (b. 1562, Sesto Fiorentino, d. 1629, Roma) The Assumption 1607-10 Marble Santa Maria Maggiore, Rome This relief was commissioned for the sacristy of the Santa Maria Maggiore. Inspired by contemporary paintings of the subject (particularly by Ludovico Carracci), Pietro Bernini's relief illustrates his virtuoso marble-carving ability and his exploitation of pictorial affects, more skills that he passed on to his son, the young Gianlorenzo. At the same time the relief is rooted in an approach to relief sculpture which differs little from the famous scenes of the life of the Virgin by the fourteenth-century Florentine sculpture Andrea Orcagna. We find in this composition the sharp linear drapery style and the extreme tenseness of the figures that characterize Pietro's art, never entirely freed from the Mannerist limitations of his training. The work, however, is one of the earliest examples of the pictorial relief altarpieces that were to be popular during the 17th century. --- Keywords: -------------- Author: BERNINI, Pietro Title: The Assumption Time-line: 1551-1600 School: Italian Form: sculpture Type: religious
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