12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十三 - augustin(1)下载
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- 类型：
- 位图
- 文件名：
- augustin(1).jpg
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- 900px*1208px
- 时间：
- 2006年7月14日0:00
.jpg "12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十三 - augustin(1).jpg")
作者和作品详细介绍（英文）:
COELLO, Claudio (b. 1642, Madrid, d. 1693, Madrid) The Triumph of St Augustine 1664 Oil on canvas, 271 x 203 cm Museo del Prado, Madrid Coello, of Portuguese origin, became a leading exponent of Baroque painting in 17th century Madrid, having assimilated the influence of Carre駉 and Flemish painting. He marks the end of the school of Madrid of this century. He was a pupil of Francesco Ricci and an artist with an extraordinary gift for veristic representation. Coello's Baroque complexity, however, is combined with a naturalistic interest in detail that sometimes detracts from the formal hierarchy of his composition. A remarkable portraitist, he has bequeathed a number of pictures of Charles II in which the degeneracy of the last of the Hapsburgs is reflected without the least attempt at mitigation. Typical in this large work is the diagonal axis of the figures, stressing the dynamic movement of the saint, and the framing elements of classical architecture. The sensual and sumptuous colour recalls Rubens, whose pictures in the Royal Collection Coello is known to have studied. --- Keywords: -------------- Author: COELLO, Claudio Title: The Triumph of St Augustine Time-line: 1651-1700 School: Spanish Form: painting Type: religious
COELLO, Claudio (b. 1642, Madrid, d. 1693, Madrid) The Triumph of St Augustine 1664 Oil on canvas, 271 x 203 cm Museo del Prado, Madrid Coello, of Portuguese origin, became a leading exponent of Baroque painting in 17th century Madrid, having assimilated the influence of Carre駉 and Flemish painting. He marks the end of the school of Madrid of this century. He was a pupil of Francesco Ricci and an artist with an extraordinary gift for veristic representation. Coello's Baroque complexity, however, is combined with a naturalistic interest in detail that sometimes detracts from the formal hierarchy of his composition. A remarkable portraitist, he has bequeathed a number of pictures of Charles II in which the degeneracy of the last of the Hapsburgs is reflected without the least attempt at mitigation. Typical in this large work is the diagonal axis of the figures, stressing the dynamic movement of the saint, and the framing elements of classical architecture. The sensual and sumptuous colour recalls Rubens, whose pictures in the Royal Collection Coello is known to have studied. --- Keywords: -------------- Author: COELLO, Claudio Title: The Triumph of St Augustine Time-line: 1651-1700 School: Spanish Form: painting Type: religious
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