12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十八 - 0101vela下载
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- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 0101vela.jpg
- 原图尺寸：
- 800px*881px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Breakfast c. 1618 Oil on canvas, 108,5 x 102 cm The Hermitage, St. Petersburg The Breakfast is among Vel醶quez's earliest bodegones, painted shortly before the end of his apprenticeship, in 1617 or at the very beginning of 1618. It concentrates with particular intensity on the individual characterization of the men, who are shown half-length and three-quarter length, and they are of different ages. The frugality of their meal obviously does not impair their enjoyment of life. The composition presents a view from above of their expressive faces and hands, the tablecloth, and the physical materiality of the food and drink. Vel醶quez did not paint lavish quantities of victuals, but the frugal diet of simple people: there is garlic on tables in his bodegones, with fish and eggs, black pudding, olives and aubergines, cheese, home-made wine and a few fruits, together with kitchen utensils such as a mortar, a bowl or a pottery jug. These Spartan still-lifes and the realistically depicted characters shown in such settings, people with an aura of grave silence even when they are painted in action, convey a sense of self-sufficiency that seems to emanate from the down-to-earth philosophy of the ordinary man in the street. There is another version of this painting entitled Peasant at Table in the Museum of Fine Arts, Budapest. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Breakfast Time-line: 1601-1650 School: Spanish Form: painting Type: genre
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Breakfast c. 1618 Oil on canvas, 108,5 x 102 cm The Hermitage, St. Petersburg The Breakfast is among Vel醶quez's earliest bodegones, painted shortly before the end of his apprenticeship, in 1617 or at the very beginning of 1618. It concentrates with particular intensity on the individual characterization of the men, who are shown half-length and three-quarter length, and they are of different ages. The frugality of their meal obviously does not impair their enjoyment of life. The composition presents a view from above of their expressive faces and hands, the tablecloth, and the physical materiality of the food and drink. Vel醶quez did not paint lavish quantities of victuals, but the frugal diet of simple people: there is garlic on tables in his bodegones, with fish and eggs, black pudding, olives and aubergines, cheese, home-made wine and a few fruits, together with kitchen utensils such as a mortar, a bowl or a pottery jug. These Spartan still-lifes and the realistically depicted characters shown in such settings, people with an aura of grave silence even when they are painted in action, convey a sense of self-sufficiency that seems to emanate from the down-to-earth philosophy of the ordinary man in the street. There is another version of this painting entitled Peasant at Table in the Museum of Fine Arts, Budapest. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Breakfast Time-line: 1601-1650 School: Spanish Form: painting Type: genre
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