12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十八 - 0211vela下载
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- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 0211vela.jpg
- 原图尺寸：
- 1259px*1000px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) The Forge of Vulcan 1630 Oil on canvas, 223 x 290 cm Museo del Prado, Madrid The pictures Vel醶quez produced in Italy include the large Forge of Vulcan. The god of fire and his assistants are working a red-hot piece of metal in the forge, which is grey with dust, and another journeyman is making a suit of knightly armour, its materiality depicted with a masterly touch, when Apollo the god of light makes his entrance, rather like the youthful hero in a provincial farce - yet radiant as his appearance may be, he brings Vulcan unwelcome news: at this very moment, as we know from mythology, Vulcan's wife Venus is keeping an amorous tryst with Mars, the god of war. The half-naked figures, shown in richly graduated flesh tints and not, as in the Bacchus, pressed close together in a dense group, are depicted in postures noticeably influenced by sixteenth-century Italian masters. Although large areas in earthy colours are still reminiscent of Caravaggio, the greater vigour of the brushwork and the red of Apollo's robe, which is suffused with light, suggest those models now admired by Vel醶quez: Tintoretto, the Venetian master of colour, and in particular Titian. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: The Forge of Vulcan Time-line: 1601-1650 School: Spanish Form: painting Type: mythological
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) The Forge of Vulcan 1630 Oil on canvas, 223 x 290 cm Museo del Prado, Madrid The pictures Vel醶quez produced in Italy include the large Forge of Vulcan. The god of fire and his assistants are working a red-hot piece of metal in the forge, which is grey with dust, and another journeyman is making a suit of knightly armour, its materiality depicted with a masterly touch, when Apollo the god of light makes his entrance, rather like the youthful hero in a provincial farce - yet radiant as his appearance may be, he brings Vulcan unwelcome news: at this very moment, as we know from mythology, Vulcan's wife Venus is keeping an amorous tryst with Mars, the god of war. The half-naked figures, shown in richly graduated flesh tints and not, as in the Bacchus, pressed close together in a dense group, are depicted in postures noticeably influenced by sixteenth-century Italian masters. Although large areas in earthy colours are still reminiscent of Caravaggio, the greater vigour of the brushwork and the red of Apollo's robe, which is suffused with light, suggest those models now admired by Vel醶quez: Tintoretto, the Venetian master of colour, and in particular Titian. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: The Forge of Vulcan Time-line: 1601-1650 School: Spanish Form: painting Type: mythological
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