12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十八 - 0217vela下载
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- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 0217vela.jpg
- 原图尺寸：
- 850px*1023px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Villa Medici, Pavillion of Ariadn� 1630 Oil on canvas, 44 x 38 cm Museo del Prado, Madrid Although Vel醶quez enjoyed life in Rome during his first visit to Italy, he feared the summer heat in the city, and consequently in May 1630 withdrew for two months to the secluded Villa Medici, which was also an ideal place for him to pursue his studies of classical antiquity. Here he produced two small landscapes of astonishing originality, which represents aspects of the gardens of the Villa Medici. During the previous decade, a few northern artists in Rome began to draw out of doors, continuing and expanding upon the practice of depicting ancient sites initiated by draftsmen of the sixteenth century. Vel醶quez's little paintings are derived from the plein air drawings of such artists as Paul Bril and Bartolomeus Breenburgh. However, they appear to have been among the first paintings made on site instead of in the studio. Vel醶quez appropriates the allusive technique of drawing to create almost palpable effects of light and atmosphere. Curiously, he was never again to paint a pure landscape, and thus these remarkable pictures can be interpreted as another example of experimental practices undertaken in Rome in order to expand his artistic horizons. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Villa Medici, Pavillion of Ariadn� Time-line: 1601-1650 School: Spanish Form: painting Type: landscape
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Villa Medici, Pavillion of Ariadn� 1630 Oil on canvas, 44 x 38 cm Museo del Prado, Madrid Although Vel醶quez enjoyed life in Rome during his first visit to Italy, he feared the summer heat in the city, and consequently in May 1630 withdrew for two months to the secluded Villa Medici, which was also an ideal place for him to pursue his studies of classical antiquity. Here he produced two small landscapes of astonishing originality, which represents aspects of the gardens of the Villa Medici. During the previous decade, a few northern artists in Rome began to draw out of doors, continuing and expanding upon the practice of depicting ancient sites initiated by draftsmen of the sixteenth century. Vel醶quez's little paintings are derived from the plein air drawings of such artists as Paul Bril and Bartolomeus Breenburgh. However, they appear to have been among the first paintings made on site instead of in the studio. Vel醶quez appropriates the allusive technique of drawing to create almost palpable effects of light and atmosphere. Curiously, he was never again to paint a pure landscape, and thus these remarkable pictures can be interpreted as another example of experimental practices undertaken in Rome in order to expand his artistic horizons. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Villa Medici, Pavillion of Ariadn� Time-line: 1601-1650 School: Spanish Form: painting Type: landscape
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