12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十八 - 0302vela下载
- 来源：
- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 0302vela.jpg
- 原图尺寸：
- 700px*1231px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Philip IV in Brown and Silver 1631-32 Oil on canvas, 200 x 113 cm National Gallery, London In this painting the restriction of surrounding areas and the general pose found in earlier portraits of the king are still present, but the subject's whole attitude is more relaxed, the flesh tints, probably under the influence of Rubens, are painted with more fluidity, the accents of colour - eyes gleaming like black tortoiseshell, the golden lights on the waves of the hair - are placed with more emphasis, and shapes conveying Baroque dignity, such as the profuse folds of the red curtain, have made their way into the formerly sparse interior. Above all, Vel醶quez's new delight in luxuriant colour is reflected in his depiction of the silk embroidery and the silver and brown tones of the king's clothing. The king is holding in his right hand a paper with the inscription "Senor/Diego Vel醶quez/ Pintor de V. Mg" - the opening words of a petition to him from Vel醶quez. The unattractive matt white of the stockings is the result of an unskilful restoration of the picture in 1936, but otherwise the work is a good example of the skilled manner that Vel醶quez had now mastered. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Philip IV in Brown and Silver Time-line: 1601-1650 School: Spanish Form: painting Type: portrait
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Philip IV in Brown and Silver 1631-32 Oil on canvas, 200 x 113 cm National Gallery, London In this painting the restriction of surrounding areas and the general pose found in earlier portraits of the king are still present, but the subject's whole attitude is more relaxed, the flesh tints, probably under the influence of Rubens, are painted with more fluidity, the accents of colour - eyes gleaming like black tortoiseshell, the golden lights on the waves of the hair - are placed with more emphasis, and shapes conveying Baroque dignity, such as the profuse folds of the red curtain, have made their way into the formerly sparse interior. Above all, Vel醶quez's new delight in luxuriant colour is reflected in his depiction of the silk embroidery and the silver and brown tones of the king's clothing. The king is holding in his right hand a paper with the inscription "Senor/Diego Vel醶quez/ Pintor de V. Mg" - the opening words of a petition to him from Vel醶quez. The unattractive matt white of the stockings is the result of an unskilful restoration of the picture in 1936, but otherwise the work is a good example of the skilled manner that Vel醶quez had now mastered. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Philip IV in Brown and Silver Time-line: 1601-1650 School: Spanish Form: painting Type: portrait
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