12-19世纪西方经典美术（建筑\雕塑\绘画）博览一百三十九 - 1013vela下载
- 来源：
- 图酷 www.tucoo.com
- 类型：
- 位图
- 文件名：
- 1013vela.jpg
- 原图尺寸：
- 777px*876px
- 时间：
- 2006年7月14日0:00
作者和作品详细介绍（英文）:
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Portrait of the Infanta Margarita c. 1660 Oil on canvas, 121 x 107 cm Museum of Fine Arts, Budapest Margarita was the daughter of Philip IV. Six years after the death of Vel醶quez, when she was still only fifteen, she became the wife of Leopold I, Emperor of Austria and King of Hungary. In the last years of his life Vel醶quez painted the little girl several times; she is the central figure in one of the last great compositions, Las Meninas, produced in 1656. In the Spanish court, which at that time was almost paralysed by the rigid rules of etiquette, this little girl represented the spirit of life itself, a girl whose charm was acknowledged by everyone; even the French ambassador, a man who was very hard to please, praised her in a letter to Louis XIV. She was charming in spite of the fact that she had inherited her father's heavy Habsburg features. As was the way with monarchs of medieval times, Philip IV made use of Vel醶quez and his workshop as a king might today make use of a court photographer. He ordered several variants of the picture, in each one of which the dresses were to be differently coloured. In this painting, which was executed by the workshop, a strange contrast is realized: the little girl's fair tresses and delicate fingers express the carefree existence of a child but the lips already show some of the Habsburg characteristics, the eyes are precocious and sad and the body is stiff, imprisoned by the rigid armour of the stays. On the other hand, the grand dress of green silk and velvet, so unsuitable for a child of nine or ten, has a strange animation of its own, as if to offer the child, in recompense for her loss of freedom, gold threads and grandeur. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Portrait of the Infanta Margarita Time-line: 1601-1650 School: Spanish Form: painting Type: portrait
VEL罿QUEZ, Diego Rodriguez de Silva y (b. 1599, Sevilla, d. 1660, Madrid) Portrait of the Infanta Margarita c. 1660 Oil on canvas, 121 x 107 cm Museum of Fine Arts, Budapest Margarita was the daughter of Philip IV. Six years after the death of Vel醶quez, when she was still only fifteen, she became the wife of Leopold I, Emperor of Austria and King of Hungary. In the last years of his life Vel醶quez painted the little girl several times; she is the central figure in one of the last great compositions, Las Meninas, produced in 1656. In the Spanish court, which at that time was almost paralysed by the rigid rules of etiquette, this little girl represented the spirit of life itself, a girl whose charm was acknowledged by everyone; even the French ambassador, a man who was very hard to please, praised her in a letter to Louis XIV. She was charming in spite of the fact that she had inherited her father's heavy Habsburg features. As was the way with monarchs of medieval times, Philip IV made use of Vel醶quez and his workshop as a king might today make use of a court photographer. He ordered several variants of the picture, in each one of which the dresses were to be differently coloured. In this painting, which was executed by the workshop, a strange contrast is realized: the little girl's fair tresses and delicate fingers express the carefree existence of a child but the lips already show some of the Habsburg characteristics, the eyes are precocious and sad and the body is stiff, imprisoned by the rigid armour of the stays. On the other hand, the grand dress of green silk and velvet, so unsuitable for a child of nine or ten, has a strange animation of its own, as if to offer the child, in recompense for her loss of freedom, gold threads and grandeur. --- Keywords: -------------- Author: VEL罿QUEZ, Diego Rodriguez de Silva y Title: Portrait of the Infanta Margarita Time-line: 1601-1650 School: Spanish Form: painting Type: portrait
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